Zachary Aldana just dropped his new release, ‘Mind Your Business’, on June 12, 2026. To celebrate the release of this catchy indie pop bop, Popfad has collected it alongside two other releases in June, both with a similar catchiness and pop basis.
Zachary Aldana – Mind Your Business
‘Mind Your Business has it all. A catchy bass flow, glittery reverb-laden guitars, and vocals with more than enough prowess to carry everything along well. This track has an addictive sway to it, and there’s a nice groove in the undertones. The instrumentation is super dynamic, and different parts of the track allow different instruments to shine. As it flows, each part takes prominence in its own moments, which gives a glimpse into the amazing musicianship on all fronts. It’s the vocals that really bring this track to life, though. Zachary’s voice hits intricate riffs, strong belts, and a really sweet, soft falsetto. There’s so much vocal control, and the sonics carry this control even further to the forefront. Lyrically, it’s about taking back one’s own power after being with someone who seems to try to control the narrative of their life.
Liam Pilmore – Towers
‘Towers’ tones back the energy a bit for an anthemic, poetic track about interpersonal connection. The acoustic guitar serves as a great basis for the instrumentation to build around, and it creates a sound that feels natural and lifelike. As things move along, there are some brighter piano tones that take the forefront. The vocals rest on a main hook that repeats, “You can let the towers fall,” and though it’s repeated quite a bit, there’s an entrancing nature to it. It’s catchy and addictive, and it seems to beg for future listens. Lyrically, this track has an aspect of hope to it. It’s about connecting with a person when they’re broken and letting them know that it’s okay to struggle, because there will always be someone to lean on.
Sam Palladio – Glitter
‘Glitter’ rests in a lower tonality range, a gorgeous, full baritone vocal taking the stage. This track has a laid-back tempo and definitely gives a focus to the vocals. That being said, the instrumentation has a dreamlike nature to it, the bass softly wobbling along in the background with the percussion carrying the soft flow along well. There’s something about it that’s cozy, and paired with the lyrics, it stands out as somber. It does well at not sounding overly sad while still providing what’s needed to deliver the emotion. Lyrically, it’s about someone who’s home alone in bed. They’re in love with another, but this object of affection has already moved on and is out doing other things with different people.
Written by Sage Plapp
Cover image by Flavio Vallone
