There’s an unexplained phenomenon that, over time, couples begin to look alike. Increasing familiarity with one another starts to develop a symbiotic relationship between the two, leaving little to no discernible difference between partners. Much like this merger, musicians and their sonic creations can become a singular, symbiotic organism. Alternative rock project Prince of Sweden matches its bleary eyed composition, “Garrison Lane,” with an equal pairing of weary notes and fatigued vocals. London, England native James Phippen, the mastermind behind this project, embodies the melodic moodiness with a subdued, yet elegant timbre.
Overall, bittersweet reflection is the name of the game on this tune. Phippen’s guitar play can be likened to a slow, sullen waltz. It’s graceful and measured, but, at the same time, there’s a palpable sadness. In this case, sadness is an effective emotional weapon. Instead of brooding for art’s sake, this song evokes more wistfulness than the run of the mill, rainy day rock.
Besides the feeling of raindrops collecting on a window sill, there is a collection of ruminative turns of phrase afoot. In particular, there are themes of renewal and reclusion that Pheppen projects. From the juxtaposition of being soaked to the bone and being rejuvenated by “cherry blossoms,” there is the continual flip of the melancholy coin. On one side, there’s the time “when the plants are still green” and, on the other, there is the claustrophobia of “morning gloom.” However, solace is discovered in the form of “a little house out west where time slows down.”
All of this exists in a place named “Garrison Lane.” Pheppen has crafted a setting where he has compiled all of his pensive contemplations can co-exist. On this tune, he has become one with the magnificently melancholy world that he has created.
Written by Travis Boyer
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